‘Madame Web’ Review: Bland Superhero Entry Can’t Overcome Stilted Dialogue, Threadbare Plot

Dakota Johnson’s dry humor can’t save Sony’s ode to mediocrity

madame-web-dakota-johnson-sydney-sweeny
Sony Pictures

At this point in the superhero canon, it’s becoming harder to find projects that feel thoughtful and genuine. Projects that don’t feel like they’re the by-product of an exec’s great idea for a cash grab. Unfortunately, we’ll have to keep the search going, as Sony’s “Madame Web” does not fill the quota for a superhero film with heart and soul. Not only is the latest addition to the Marvel canon lacking a true emotional core, it’s devoid of many key elements that make a movie successful in the translation from the screen to the audience’s psyche. 

Directed by S.J. Clarkson, “Madame Web” follows the story of Cassie (Dakota Johnson), a young paramedic living in New York City who finds herself at the heart of a wild goose chase when she has a futuristic vision in which three high school girls (Sydney Sweeney, Isabela Merced, and Celeste O’Connor) are all killed by a mysterious man (Tahar Rahim) who moves like a spider.

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