‘Cabaret’ Broadway Review: Eddie Redmayne Twists the Emcee Into a Rancid Pretzel

The Oscar-winning actor headlines a new, conflicted revival of the legendary musical

A woman in a mint green fur coat lays holding a microphone in the arms of dancers, their head upside-down as they reach out. She wears near-white makeup.
Gayle Rankin as Sally Bowles in "Cabaret," at the Kit Kat Club at the August Wilson Theatre. (Photo by Marc Brenner)

And the Tony Award for Best Makeover of a Broadway Theater goes to… Tom Scutt, who has not only redesigned the August Wilson Theatre — now nicknamed the Kit Kat Club — but the set and costumes for the new  “Cabaret” revival that opened there Sunday after a run on the West End.

You now enter the August Wilson Theatre not through the front doors but a side alley, then up a flight of steps that leads to an intimate speakeasy arrangement of tables in cubicles. Seated near the stage, which is now in-the-round, I could not visualize in my mind how this theater used to look.

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