‘Leonor Will Never Die’ Review: Uneven Magical-Realist Fantasy Follows a Dying Writer Into Her Own Screenplay

This Spirit Award–nominated import from the Philippines suggests some bold and visionary ideas before sinking into clichés about the magic of the movies

Leonor Will Never Die
Carlos Mauricio/Music Box Films

It’s hard to encapsulate the half-sunny, half-funeral vibe of “Leonor Will Never Die”, a touching end-of-life drama that’s also a loving homage to kitschy Filipino action cinema. Writer-director Martika Ramirez Escobar pays tribute to her title character, a fictional Pinoy genre filmmaker who, at the end of her life, wakes up inside one of her unproduced screenplays.

Escobar’s debut feature frequently shifts between sad, dimly lit conversations with Leonor (Sheila Francisco) and her concerned loved ones, particularly her adult son Rudie (Bong Cabrera), and scenes within “Return of the Owl,” Leonor’s unfinished dream project, which follows the generic adventures of tough guy construction worker Ronwaldo (Rocky Salumbides).

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