‘All That We Love’ Review: Margaret Cho Brings Delight to Dramedy as She Mourns the Loss of a Dog

Tribeca 2024: The latest film from Yen Tan confronts how we all move on

A woman with medium-toned skin stands in an interior location, looking tranquil.
Margaret Cho in "All That We Love" (Courtesy Tribeca)

There comes a time when anyone with a dog must inevitably say goodbye. Though I didn’t know it then, my final farewell came when visiting home before later heading off to cover this year’s SXSW. Shortly after filing my final review of the already not-exactly-happy film “Civil War,” I got that sad phone call saying my childhood dog was gone.

It was a moment that was unexpectedly disorienting as, in addition to being a world away in a state of exhaustion, it brought rushing in how a part of me is now gone too. The person I was and the past I had with this silly dog are now forever confined to memories that could never replace the real thing.

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