‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun

Cannes 2024: The festival’s most audacious horror film is sure to send more squeamish audiences running for the exits

A person in a robe depicting a long snake/dragon-like creature on its back stands over a woman lying on the floor of a bathroom near a shower, her back toward the camera, crude stitches running all the way down her spine.
A still from "The Substance" (Courtesy Cannes)

Coralie Fargeat’s “The Substance” is a body horror film with all the subtlety of a sledgehammer. It smashes you over the head with its ideas and imagery, making even the fleeting moments of supposed beauty its characters are desperately chasing into something gloriously gruesome. It’s also great fun, pushing itself to greater heights and increasingly ludicrous lows at every turn as it riffs on the perils of youth and aging. It’s a lurid, loud and lewd film that comes at you.

The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out.

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