“Three Kilometres to the End of the World” opens on the most shocking of images: A sunset, lushly captured in widescreen from far back on beach, silhouetting two lovers with the whole world all to themselves. You might even gasp.
Only once director Emanuel Parvu goes beyond the opening postcard to reveal more of his hand, you can more easily place this Palme d’Or contender within the grand tradition of Romanian cinema at the Cannes Film Festival. And once you get to know this motley bunch, you can more than easily understand why someone might describe them with this pithy summation: “This country is rotten.
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