‘Megalopolis’ Confounds Cannes Audience as Laughter Drowns Out Cringey Dialogue

Francis Ford Coppola’s self-financed epic debuted at the Cannes Film Festival on Thursday

Megalopolis Francis Ford Coppola Cannes
Adam Driver in "Megalopolis" (American Zoetrope)

Is it a film? Is it a manifesto?  What is “Megalopolis,” Francis Ford Coppola’s new Magnum Opus which debuted in Cannes on Thursday?

It’s kinda Batman, kinda Gladiator, kinda “Tomorrowland” rolled up in a smorgasbord of ideas and images and the Cannes audience didn’t know what to do with it. 

At the press screening in a packed theater in Debussy, there were several times the audience laughed at what was happening on the screen. Meaning — in mockery.

A mishmash of religious celebrations, marked by a Koran, Hanukkah candles and a Christmas tree, along with sequential shots of happy children, led to an outburst of laughter, as did one line when Nathalie Emmanuel, playing Cesar’s wife, announced she’s pregnant.

Comments

One response to “‘Megalopolis’ Confounds Cannes Audience as Laughter Drowns Out Cringey Dialogue”

  1. George Toledo Avatar
    George Toledo

    Is it appropriate to ruin the ending scene? Truly pathetic behavior for the author of this hit piece.

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