Amber Dowling
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Oscars Review: Chris Rock Fights the Power
Rock delivers a strong monologue, but plenty else could have been cut
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‘Vinyl’ Review: Mick Jagger-Martin Scorsese Music Drama Rocks Hard
HBO period piece is a massive-scale production that transports viewers to the ’70s
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‘Those Who Can’t’ Review: TruTV Takes Promising First Scripted-Comedy Step
Comedian cast executes well, but show breaks no new ground
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‘Animals’ Review: Clever, Crude Animated Comedy Could Be a Tough Sell to Viewers
Duplass brothers series may be too niche for TV
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‘Madoff’ Review: Ponzi Schemer’s Story Is Surprisingly Humane
ABC miniseries feels at times like “House of Cards” for finance
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‘Grease: Live’ Review: Fox Musical Was Smooth as Greased Lightning
Producers delivered on an ambitious game plan, even if some of the casting didn’t measure up to the original
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‘Outsiders’ Review: WGN Drama Delivers More Than Just Facial Hair
Scripted series treads familiar anti-hero ground, but does so skillfully
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‘The X-Files’ Review: Revival Will Appeal to Old-School Fans, But Few Others
A weak start hampers Mulder and Scully’s comeback
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‘Colony’ Review: ‘Lost’ Team’s Dystopian Drama Delivers Nothing New
Carlton Cuse and Josh Holloway reunite for a serviceable USA series
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Golden Globes Review: Ricky Gervais’ Meanness Livens Up a Boring Night
The show suffered from not enough of the British comic, and from too many other people trying to be him
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‘Angel From Hell’ Review: Jane Lynch Shines in Odd-Couple Comedy
But the new CBS series is far from a sure thing
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‘American Crime’ Review: John Ridley Anthology Is Just as Unsettling in Season 2
ABC drama is dark, but well crafted
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‘Making a Murderer’ Review: Netflix True-Crime Series Picks Up Where ‘The Jinx,’ ‘Serial’ Left Off
Ten-part documentary breaks new ground in an old genre
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TheWrap Critics Pick the 10 Worst TV Shows of 2015
TheWrap Rewind 2015: From “Truth Be Told” to “The Bastard Executioner,” Mark Peikert and Amber Dowling weed through the year’s worst television offerings