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‘Last Flight Home’ Review: Ondi Timoner’s Beautiful Tribute to Her Father Documents His Last Days
The veteran doc director celebrates her dad’s life as she tracks his chosen path to his own demise
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‘The Swimmer’ Review: Athlete Buckles Under High Stakes and Homophobia in Intriguing Israeli Drama
Writer-director Adam Kalderon has an eye for his Speedo-clad characters, yes, but also for his protagonist’s complex inner life
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‘My Best Friend’s Exorcism’ Review: Teen Horror-Comedy Retreads Unhallowed Ground
A miscast Elsie Fisher and a pervasive sense of familiarity sink this YA adaptation
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‘Art & Krimes by Krimes’ Review: Thoughtful Doc Explores an Artist’s Approach to Broken Systems
Director Alysa Nahmias explores the life and work of Jesse Krimes in a manner that feels true to the former convict’s aesthetic
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‘Bandit’ Review: Josh Duhamel Steals the Show as a Legendary Canadian Bank Robber
This tale of a talented thief could be sprightlier, but it doesn’t lack for star quality
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‘Blueback’ Review: Radha Mitchell Brings Fierce Passion to Activist Ecological Drama
Toronto Film Festival 2022: Mia Wasikowska and Eric Bana co-star in this moving tale of a mother and daughter dedicated to protecting their seaside environment
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‘Mija’ Review: Intimate Doc Spotlights Two First-Generation Daughters of Mexican Immigrants
A pair of young women dare to pursue their dreams while also balancing the fears and worries of their families
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‘About Fate’ Film Review: Emma Roberts’ Latest Is About as Basic as Rom-Coms Get
The worst of the Hallmark Channel meets the worst of frantic ’90s romantic farces
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‘Loving Highsmith’ Film Review: Intimate Portrait of Author Patricia Highsmith Spotlights Relationships
Director Eva Vitija examines the life and loves of the creator behind Ripley, “Carol” and “Strangers on a Train”
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‘Pinocchio’ Film Review: Robert Zemeckis’ Misguided Remake Is Creepy in the Worst Ways
Tom Hanks stars in yet another wrongheaded “live action” version of classic Disney animation
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‘Love Life’ Film Review: Soulful Japanese Drama Finds Solitude and Solace in Connections
Venice Film Festival 2022: The latest from Kôji Fukada (“A Girl Missing”) finds emotional power and interactivity in cramped and often silent spaces
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‘The Good Boss’ Film Review: Dark Comedy Adds Another Memorable Portrait to Javier Bardem’s Gallery of Rogues
Writer-director Fernando Léon de Aranoa’s film sheds light on how deep the trench can be between employee concerns and management aspirations
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‘Bloom Up’ Film Review: Italian Swingers Doc Elicits More Shrugs Than Pleasure
Neither provocative nor titillating, the film delivers a last-minute twist that lands effectively but might not be worth the wait
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‘Three Minutes: A Lengthening’ Film Review: Powerful But Uneven Holocaust Doc Connects Past and Present
Just three minutes of 1930s film footage provides invaluable insight into a Polish village just before the Nazis wiped out nearly all of its Jewish population
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‘Claydream’ Film Review: Tribute to Animator Will Vinton Considers the Costs of Commerce
The innovative artist behind the California Raisins gets his due celebration – while also examining the corporate skullduggery that was his undoing
