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‘All That We Love’ Review: Margaret Cho Brings Delight to Dramedy as She Mourns the Loss of a Dog
Tribeca 2024: The latest film from Yen Tan confronts how we all move on
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‘Grand Tour’ Review: Miguel Gomes’ Sprawling Travelogue Traverses Space and Time
Cannes 2024: The Portuguese auteur fascinates and frustrates in this meandering and melancholic film
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‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Animated Holocaust Drama Struggles With Restraint
Cannes 2024: This flawed yet fascinating film is best when it’s poetically delicate
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‘Beating Hearts’ Review: Gilles Lellouche’s Melodramatic Romance Epic Loses the Magic
Cannes 2024: Adèle Exarchopoulos stars in a film that starts strong before going off a cliff
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‘Santosh’ Review: Shahana Goswami Commands the Screen in Story About Indian Policing
Cannes 2024: Sandhya Suri’s feature debut subverts the standard police procedural
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‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out
Cannes 2024: Though its colors often pop off the screen, its direction, writing and performances remain disappointingly flat
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‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama
Cannes 2024: Though she won Best Actress at the festival for her performance in 2021’s ‘The Worst Person in the World,’ Reinsve’s latest is her best work to date
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‘Marcello Mio’ Review: Christophe Honoré’s Charming Comedy Boasts a Terrific Chiara Mastroianni
Cannes 2024: With a delightful cast playing versions of themselves, this film is a funny look at acting, performance, and familial legacy
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‘Lula’ Review: Oliver Stone’s Portrait of Brazil’s President Captures a Remarkable Story
Cannes 2024: The legendary director’s latest provides what should only be the start of reflections on Luiz Inácio Lula da Silva
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‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun
Cannes 2024: The festival’s most audacious horror film is sure to send more squeamish audiences running for the exits
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‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic
Cannes 2024: This audacious comedy is as delightfully funny as it is subtly reflective
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‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing
Cannes 2024: Lou Ye’s latest film is one of the few about the pandemic to get it right
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‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars
Cannes 2024: Franz Rogowski and Nykiya Adams anchor a touching coming-of-age tale with a big swing
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‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama
Cannes 2024: With a killer score and stunning visuals, this film descends into darkness
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Cannes: Meryl Streep Says Male Studio Execs Struggle to ‘See Themselves’ in Female Protagonists
“I’ve said this 150,000 times, the hardest thing is for a male to live through the female in a movie who’s the lead,” the actress said at a Q&A at the Cannes Film Festival
